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- ? hiroyuki okiura 227
- ? kouji komurakata 4
- ? mitsuo iso 234
- ? toshiyuki inoue 523
- ? toyoaki emura 34
- ? ghost in the shell 112
- ? ghost in the shell series 439
- ? animated 162105
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- ? debris 19408
- ? effects 93094
- ? explosions 17645
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- ? smoke 43450
- ? sparks 10183 explosion effect blood water
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- Id: 228299
- Posted: 12 months ago by PurpleGeth
- Size: 886x480
- Framerate: 23.9759695
- Rating: Safe
- Score: 1539
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PurpleGeth
12 months agoNo edits were made to this upload, and every cut here (including three mostly still cuts after the last cut) are at the very least layout drawn by Mitsuo Iso - he is the primary animator of this scene. In addition, he designed the firearms across the entire film (credited as 銃器デザイン).
He commented on this scene a while ago, and along with Toshiyuki Inoue's help, we know more about the breakdown of the second half:
Timestamps:
0:29 - 0:30: LO only
0:31 - 0:36: probably Genga
0:37 - 0:38: definitely Genga (Inoue verifies this)
0:39 - 0:41: LO only
0:42 - 0:50: probably Genga
0:51 - 0:52: LO only (in my opinion Okiura helped finish the explosion)
0:53 - 0:58: probably genga
0:59 - 1:00: LO only
1:01 - 1:06: probably genga
1:07 - 1:08: LO only
1:09 - 1:11: probably genga
1:12 - 1:13: LO by Iso, genga by Inoue
Hiroyuki Okiura and Toyoaki Emura are mentioned as people who helped finish some of the cuts Iso didn't do genga for (there are potentially others involved).
Along the same lines, Kouji Komurakata did genga for an unknown number of cuts in the first thirty seconds according to a source-less sakugawiki comment:
https://w.atwiki.jp/sakuga/pages/203.html
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https://twitter.com/IsoMitsuo/status/1227366223089766401?s=20
https://twitter.com/IsoMitsuo/status/1227627205124968449?s=20
https://twitter.com/181ino/status/1227636064270970880?s=20
https://twitter.com/181ino/status/1227985058042007552?s=20
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Additional insight (and pictures) on his role as the firearms designer:
https://twitter.com/IsoMitsuo/status/1227371862998433792?s=20
grardox
12 months agoI really like the third cut with Motoko's design and her simplified protective suit, but with a very natural movement and small details like the movement of the hair that greatly reinforces the feeling of inertia in the body
Kogane
12 months ago