They made me redraw this scene because the storyboarder drew one pose with an arrow under, so the animator drew her spinning in place and slid the layer across the bridge. She ended up looking like she was on ice.

When I got the scene I remember thinking, "How the hell am I supposed to make this work?". The perspective was weird and the footwork felt impossible, and I spent the rest of the day complaining to anyone who would listen that storyboarders need to consider the consequences of their actions. It was the most difficult thing I had to draw on the entire production.