Interesting seeing the differences between Iwerks' Oswald cuts (which came out two months before Gaucho) and the Mickey cuts. The more elaborate acting shown here is very interesting to see, although I prefer the Oswald cut for its effective simplicity.

kViN said:
Tomomi Sato supervised by Kadowaki, sourced from the staff commentary track on the bluray

maybe Mieko Hosoi or Asako Nishida

Maybe early Kanno?

Kanno, Kazuhiro Ono & Naoki Yoshibe among others are credited

Michinori Chiba doesn't really have any history of anything this eccentric as of writing, but at the same time this is the most Studio Hercules looking scene ever so I wonder if someone like Fuminori Kizaki went NC.

Regardless, the credit order fits Chiba perfectly so he should be here in some capacity

Not actually sure whether to tag cgi or not - the initial transition of the crumpled paper and the end of the creatures' transformation use digital morphing, the falling paper airplanes appear to be textured 3D models, and the glowing debris at 0:39 and 0:52 use what very much looks like pre-rendered particle simulation. But it's also not too significant to tag... hmm

Edit: just saw that a Pokemon clip (post #233068) has similar significance wrt the background CGI usage, retagging

confirmed privately

start - 0:17 fukuroup

The #01 version had the logo over it, #03 had it in full (which is where this version is from). Kishida is credited for genga on both.

I’m honestly surprised they managed to spell “Illinois” correctly

Considering he designed this car and was vehicle AD + KA for this one episode only, I think this is most likely just Sugiura's work. The only other notable scene with it isn't as strong and partially ignores his design.

https://twitter.com/Yaojianghao/status/1783946096504615271